Why You Shouldn't Use Effects When You Practice
One of the most difficult things to do as an improving guitarist is to practice consistently. In fact, that’s the hardest thing I know how to do.
One of the most difficult things to do as an improving guitarist is to practice consistently. In fact, that’s the hardest thing I know how to do.
The second hardest thing to do, in my opinion, is keeping the amount of guitar pedals and effects to a minimum during practice sessions.
This means no hiding behind a wall of delays, flangers and phasers while you rip through your scales at 300bpm.
It’s extremely tempting to stomp all the pedals on your board, because after all, guitarists like John Petrucci or Joe Satriani have a little more going on under the hood than a bit of overdrive and some reverb, so why shouldn’t we? The difference is they can control and manipulate those effects to their advantage, rather than depend on them to execute their licks and riffs.
When you practice, you should simplify your signal in order to sharpen your playing technique, and then build on that foundation. The one exception to this idea is loop pedals, as they can be very helpful in building your rhythm and creativity.
Also, I’m not saying you shouldn’t go crazy from time to time with your pedals and experiment, because in the end, playing guitar should be fun. After all, Tom Morello, Mike Einziger and Alex Lifeson wouldn’t be the guitar icons they are today without their signature, over-effected solos and riffs.
I have to say, though: the satisfaction of engaging your array of effects after you’ve trained in the dojo of dry guitar tone is very sweet, and I recommend you give it a try.
Tyler Larson is the founder of the guitar-centric website Music is Win. His entertaining guitar-related content receives hundreds of thousands of video views on Facebook per month, and his online guitar courses tout more than 1,500 students with a cumulative 4.7 rating on Udemy. Get in touch with Tyler on Facebook, watch more of his guitar lessons and vlogs on YouTube, and follow him on Twitter and Instagram.
Source: www.guitarworld.com
