
Black Sabbath have settled a legal dispute with their original manager over the release of early demos – could they soon see the light of day?
Might a trove of early Black Sabbath demos be about to see the light of day? A number of early recordings – from when Sabbath were called Earth – previously owned by the band’s first manager Jim Simpson, are now in the hands of Sabbath’s original members, and could soon be released. Here’s what’s happened:
Last year, Jim Simpson – who managed Sabbath from 1968 to 1970, overseeing their name change from Earth, plus the recording of their landmark albums Black Sabbath and Paranoid – announced his plans to release a number of early Sabbath recordings in an album titled Earth: The Legendary Lost Tapes via his Big Bear Music record label.
The announcement came not long before Sabbath were due to play their momentous swansong show, Back to the Beginning.
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The album was set to feature eight songs, including Evenin’, Wee Wee Baby, Free Man and Song For Jim, as well as future Black Sabbath songs Warning and Wicked World, and even a cover of Blue Suede Shoes.
But the release was blocked after Sharon Osbourne – wife of late singer Ozzy Obsourne and his longtime manager – threatened Simpson with legal action in November, saying the band’s members didn’t want those old recordings released.
“You know that, as a band, Black Sabbath don’t take things lying down and you can be assured that if you go ahead with this against the band’s wishes we will take any action we can where their rights are infringed, both here [in the UK] and in America,” she said [via Louder].
But in a new appearance on The Osbournes podcast, she reveals she and the Black Sabbath members concerned have “settled” with Jim Simpson, and hints at what might happen next.
“We settled with Jim Simpson and the band now have their demos back,” she says. “And all four of them own it, which is where it should be. All of that stuff should be theirs. So it all ended well.”
As for whether the recordings will ever see the light of day, Sharon doesn’t shut the idea down: “We’re going to talk about what everybody wants to do with it, and we’ll go from there.”
She continues: “I just think it’s historically important for music lovers of that genre. And then we got [the rights to] the pictures that were taken at that time, too. So that is all so important… I’m just happy that it’s where it should be – with the band, and what they wanna do as a band, what they’re going to do with it. So that’s great.”
When Jim Simpson announced his plans to release the album, he said: “These recordings clearly demonstrate what fine music they produced right from the very beginning. We recorded these tracks at Zella Studio in Birmingham in 1969, but held back from releasing them as their style was evolving so quickly.
“Now, some 57 years later, the recordings assume a greater importance, illustrating how these four young men from Birmingham, barely out of their teens, were excellent musicians and a fine band, fully deserving of all the success that was to come their way.”
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