Martin D-X2E Billy Strings review – “you certainly don’t need to be a bluegrass phenom to appreciate its charms”

Martin D-X2E Billy Strings review – “you certainly don’t need to be a bluegrass phenom to appreciate its charms”

$899/£899, martinguitar.com
Billy Strings is one of the most electrifying guitar talents on the scene right now, and so it should come as no surprise that Martin has honoured the 32-year-old bluegrass phenomenon with not one but two new signature models based on the dreadnought guitars that he loves so much.

READ MORE: Martin D-X2E review – is this the new must-have budget dreadnought acoustic?

Now the first of these guitars, launched back at NAMM in January 2025, is a near as dammit $4,000 D-28 Billy Strings is a love letter to Billy’s beloved 1940 D-28, and features such interesting appointments as a unique 25-inch scale length to give a little less tension and make bends easier, while a unique 1 23/32-inch nut width allows him to blaze up and down the fretboard – it’s a little narrower than standard.
Most of us don’t have $4,000 burning a hole in our pockets to spend on a new guitar however, and so it was a relief to see that revealed alongside the D-28 at the NAMM Show back in January was a much more affordable guitar from Martin’s Mexico-made X series.
Image: Press
Martin D-X2E Billy Strings – what is it?
The X series version of Strings’ signature model is based on the D-X2E from Martin’s recently overhauled Remastered X-series. As I discovered in my review last year, that was a pretty impressive guitar in its own right, and the Strings version carries over much of the fundamentals from that.
That means you get a spruce top with Martin’s laminate HPL material on the back and sides – including the same Brazilian rosewood pattern printed on it in handsome fashion. You also don’t get any binding on this one, with a bevelled edge adding a smoother transition between the two.
It’s not just a name on the label that differentiates this from a standard D-X2E however – as some of the most important bits of the US-made version are carried over in the shape of that unique 25-inch scale length and custom nut width.
You also get a custom hemp (very apt for the ‘California sober’ Strings) embroidered gigbag with the artist’s name on it as opposed to the regular X series gigbag, and the usual Martin E1 electronics with a built-in tuner and volume, tone, and phase controls.
Image: Press
Martin D-X2E Billy Strings – playability and sound
Having played the vanilla D-X2E a fair bit, the change in scale length and string spacing is instantly apparent – and it’s a very good change in my opinion. Strings is well known for his ability to blaze up and down the fretboard with otherworldly grace, and while I’m nowhere near that sort of level, I instantly find that I’m more easily able to solo and chord up and down the neck with that slightly more compact string spacing and looser string tension.
Sonically, the scale length hasn’t had too much of an impact on the overall tonality of the guitar, and it’s pretty similar to the vanilla X-series guitar in that regard. That’s no bad thing of course, as the original sounded very good, with a clear and ringing tonality. The HPL back and sides deliver more mid to high end frequencies than traditional Martin guitars, but the Spruce top helped level it out.
Compared with the Nazareth-made Strings model, you can definitely notice the bass frequencies aren’t as forward, but that’s probably to be expected when we’re comparing two guitars of such wildly different price tags.
Plugging in, and the E1 electronics are easy to use and sound good – they’re unlikely to change anyone’s life in terms of the way they reproduce your acoustic tone, but for a sub-$1,000 guitar, it’s certainly nothing worth complaining about.

Martin D-X2E Billy Strings – should I buy one?
Sticking an artist’s name on a signature model is always going to correlate with an upcharge on the ticket, and the $200 increase on this guitar over the base model shouldn’t be discounted.
But there’s an argument that what you’re getting here is a different enough ride from the vanilla D-X2E that it more than justifies that pricetag and its status as an instrument in its own right. The neck, with its unique scale length, string spacing and slimmer profile, make this feel like such a distinct instrument from any other Martin in the X series. It feels like someone has done the work and broken this thing in for you, with an easy and addictive playability that keeps you coming back for more – you certainly don’t need to be a bluegrass phenom to appreciate its charms.

Martin D-X2E Billy Strings – alternatives
I’d play them both before you pull the trigger, but if you’re not bothered by the scale length and string spacing differences on the Strings model, the vanilla D-X2E ($699) is a fine guitar for a considerable wedge less. Another fine mid-priced dreadnought made in Mexico is Taylor’s 110ce ($799) and offers the benefits of the brand’s electric-like playability and a cutaway. If you want an alternative big-bodied acoustic with more old-school charm then Epiphone’s J-45 ($799) is a very fine instrument.
The post Martin D-X2E Billy Strings review – “you certainly don’t need to be a bluegrass phenom to appreciate its charms” appeared first on Guitar.com | All Things Guitar.

read more

Source: www.guitar-bass.net