Album Review: Matty T. Wall Turns In a Six-String Gem with 'Sidewinder'

Album Review: Matty T. Wall Turns In a Six-String Gem with 'Sidewinder'

For anyone who might question Matty T. Wall’s love for the guitar, just watch the video for the title track to his new album, Sidewinder, where rapid-fire camera cuts show him ripping through the song’s sparkling power-pop riffs on a bevy of new and vintage six-string beauties. 

As for how he handles himself on the instrument? Look no further than the first cut on Sidewinder, an instrumental called “Slideride,” on which Wall, over a hopped-up barroom boogie beat, whips out searing, quicksilver bottleneck licks that demonstrate an infectious exuberance for, and an extraordinary command of, his instrument.

From there, the prodigiously talented Australian singer, songwriter and guitarist takes the listener on a 12-song musical journey that runs through an impressive array of sounds and styles, from blues to rock to country to pop. 

There’s also a smattering of covers that display Wall’s varied influences—Trombone Shorty’s “Something Beautiful,” Sam Cooke’s “A Change Is Gonna Come,” Freddie King’s “Going Down,” Chris Thomas King’s “Mississippi Kkkrossroads”—all of it shot through with Wall’s spirited vocals and lyrical, lively guitar playing. 

To be sure, Wall is an artist steeped in blues and roots music, but his appeal lies in his not being beholden to any traditions or mores. The instrumental “Sophia’s Strut,” for one, marries a sprightly blues lick to an odd-metered percussive stomp, over which Wall spins towering curlicues of notes. And standout cut “Shake It” peppers a deep-in-the-pocket groove with heavily distorted hard-rock riffing and clean, funky comping, before ultimately exploding into a double-time shred fest.

But for all the guitar pyrotechnics (and to be sure, there are plenty to go around on Sidewinder) Wall’s true strength is as a songwriter and also a synthesist. He crafts hooky, heavily rhythmic tunes that, at least stylistically, have one foot planted in the past—but always with an eye focused firmly on the future.

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