Software company captures 18thC violin tones in unique project

Software company captures 18thC violin tones in unique project

The northern Italian city of Cremona is the cradle where the masters Amati, Stradivari, and Guarneri del Gesú created a new pinnacle of quality for stringed instruments which remain the Holy Grail for many musicians today. In 2016, e-instruments lab GmbH was offered the once-in-a-lifetime chance to record a string quartet with the world-famous exhibits by the Museo del Violino in Cremona. Recordings began in January 2019 in the Auditorium Arvedi, the outstanding concert hall of the Museo del Violino.

The incredibly extensive planning of the project included not only the careful selection of top musicians, the compilation of complete articulation lists, the creation of music sheets, and the evaluation of the equipment used but also far-reaching on-site measures to ensure the audio was as perfect as the violins being captured.

As a consequence, not only has the concert hall shut down during the recording period, but even the surrounding streets have been closed off, and all traffic diverted. In a press conference at the beginning of the recordings, the mayor of Cremona asked the people of the city for active support, asking them to be as quiet as possible and to avoid any activity that could possibly interfere with the recording during the following weeks.

The aim of the project is not only the meticulous digital conservation of these unique instrument sounds but also the transfer of the historical Cremonese string instruments into modern, digital musical instruments. Although digital, e-instruments says these instruments will be created with the same care and attention to detail as the originals, allowing musicians around the world to “play” them via a keyboard and modern computers.

For the actual recording, the musicians have to play countless scales, phrases, and arpeggios using all of the playing variations and tones their instruments offer – the 1615 Girolamo Amati ‘Stauffer’ viola; the 1700 Antonio Stradivari ‘Stauffer’ cello; the 1727 Antonio Stradivari ‘Vesuvius’ violin; and the 1734 Guarneri del Gesù ‘Prince Doria’ violin. 32 microphones capture sound in the smallest detail. Several hundreds of thousands of samples will be recorded resulting in terabytes of data.

The project captured the imagination even outside the music world, with stories about the project appearing the New York Times, the BBC and CBS national newspapers around the world.


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