“It was heartbreaking”: Bob Daisley insists that he deserved credits for his work on Ozzy Osbourne’s Diary Of A Madman
Bassist Bob Daisley has spoken about his contributions to Ozzy Osbourne’s 1981 album, Diary Of A Madman, and has again insisted that he should be credited for his work on the record.
Daisley worked on Osbourne’s first two solo records, 1980’s The Blizzard of Ozz as well as Diary…, And still feels cheated out of proper accreditation for his playing. Daisley says that “seeing those erroneous credits for the first time” was like a “punch in the solar plexus”, and that seeing bassist Rudy Sarzo credited rather than him was hurtful.
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In an interview with Bass Player [via Guitar World], he says, “Just ask me what I thought of Rudy Sarzo being credited on Diary of a Madman! That was a travesty, a true crime against [drummer] Lee Kerslake and me.
“I’d worked hard on that album – as I do with every album that I’ve been involved with – both with the playing/writing aspects and the production. And then, to see all my hard work get credited to someone who’d had nothing to do with any of it was heartbreaking, and the same goes for Lee.”
He adds, “I would love to see proper accreditation on that album before I take the long dirt nap.”
There is a history of legal battles between Daisley and Osbourne. He sued Osbourne in 2016 and his company Blizzard Music Limited, accusing him of withholding over $2m in unpaid royalties from the song Crazy Train.
At the time, Osbourne refuted the claims and a representative said that Daisley had been receiving biannual royalty statements and checks from Blizzard Music, “totalling in millions of dollars, which have been routinely cashed.” The case was eventually dismissed.
Back in 2023 during an episode of The Osbournes Podcast, Osbourne discussed Daisley’s ‘Holy Grail’ demos, which are rumoured to contain around seven hours of recording sessions with late heavy metal icon Randy Rhoads.
In the episode, Osbourne said, “The quality [of the recording] sucks… [He’d record] everything we ever did. He would record the fucking milkman… The quality was fucking dreadful.”
“[He recorded] on a cassette machine,” Sharon added. “A tiny little cassette machine. And it’s not for us to do anything with.”
The post “It was heartbreaking”: Bob Daisley insists that he deserved credits for his work on Ozzy Osbourne’s Diary Of A Madman appeared first on Guitar.com | All Things Guitar.
Source: www.guitar-bass.net
