The Edge: “Digital delay was a way for me to add coloration, dimension, additional rhythm and a certain machine-age quality”

The Edge: “Digital delay was a way for me to add coloration, dimension, additional rhythm and a certain machine-age quality”

In this exclusive interview, U2’s trailblazing sonic architect recalls how 1981’s October and 1991’s Achtung Baby helped the band forge and refine their identity

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Source: www.guitarworld.com